The score for Dartmoor Killing is by the exceptionally talented young British composer Sarah Class, a crossover classical-pop-jazz artist who some may remember for her remarkable IFMCA-nominated score for the BBC nature documentary Africa in 2013. Upon arrival they meet a charismatic young man named Chris, and before long their plans for a quiet getaway become shattered by mind games, sexual deceit and betrayal, as Becky’s hitherto hidden involvement in Chris’ traumatic and damaged past is revealed. The film stars Rebecca Night and Gemma-Leah Devereaux as Susan and Becky, two close friends who take a weekend trip to Dartmoor, a national park in the south-west of England. Holmes, and Far From the Madding Crowd, which I have already reviewed, the rest of this year’s bumper crop includes the scores for a low-budget thriller, two wonderful TV documentaries, a witty comedy, and a swashbuckling TV adventure series!ĭartmoor Killing is an independent British psychological thriller by BAFTA-winning writer and director Peter Nicholson, who spent years making acclaimed documentaries, and is making his narrative feature debut here. The British Isles have always been a major center for excellent film music, and this year is no exception: as well as scores for projects like Peter and Wendy, Wolf Hall, Poldark, Suffragette, Spectre, Mr. The fourth installment in my series of articles looking at the best “under the radar” scores from around the world concentrates on music from films and TV shows from the United Kingdom.
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